The Eyes Have It: Voyeurism and Violence in Reynolds’s Gothic

By Emily Violet Richardson I was delighted to have received an email at the beginning of this year asking if I would like to contribute a piece for the fabulous G.W.M. Reynolds Society blog. I am sure none of us need to be reminded of how profoundly undercelebrated Reynolds is, but nonetheless, I feel privileged … More The Eyes Have It: Voyeurism and Violence in Reynolds’s Gothic

The Parricide (1847)

For this post, I wanted to draw attention to G W M Reynolds’s first work– The Parricide, The Youth’s Career of Crime (1847)[1]. The text had originally been published under the title The Youthful Imposter in 1835 when Reynolds was only twenty year’s old. Though I was unable to find any reviews of 1835 The … More The Parricide (1847)

Postgrads on Reynolds

Sophie Raine (Lancaster University) I was first made aware of the George W M Reynolds Society at the RSPV conference at the University of Victoria this year. I was giving a paper on Reynolds’ use of classical imagery in his illustrations of nude models. One aspect of Reynolds’ work which I found particularly interesting, and … More Postgrads on Reynolds